This suite, stylistically classifiable as Afro-Pop, is named after the village by same name at the Northern Ivory Coast. Many musical black-African patterns- short melodic phrases, frequent repetitions, clean major- triads and vital rhythms are combined with typical European composition-techniques like variation, contrast, development and polyphony.
Order of movements: Die Begrüßung in Djaboué - Das Tal von Djaboué - Die Hochzeit in Djaboué
Scores and parts
T2702